Six years ago I was sorting through Jennie Alexander’s shop after her death and out in a storage building were boxes of chair parts. Not chairs she’d made but antiques’ fragments that she’d collected over the years. While I was fascinated by them and knew they were important, I also knew I had neither the time nor the space to house them and use them. But I knew the one person who did - Elia Bizzarri. Elia knew JA from when he was a teenager making the rounds to study and learn green woodworking, particularly chairmaking. And years later, Elia had visited JA specifically to study these chair parts. So I connected him and the family members sorting the house and he made arrangements to pick up the parts during one of his trips through the Baltimore area.
Then a few years ago Elia embarked on a project to write a book about how to make a Windsor chair in period fashion. Or something close to it. https://handtoolwoodworking.com/category/built-for-speed-book-project/
This project interests me in many ways. Back in the late 1980s early 1990s when I learned Windsor chairmaking from Curtis Buchanan - I just followed Curtis’ instructions and plans. Bore this mortise at this angle along this line. Though I lived in New England where there were plenty of period Windsors to study - I barely looked at them and certainly never studied one. It wasn’t until I got fully involved in 17th century oak furniture that I learned how to analyze a period piece of furniture with an eye toward understanding the processes involved in making it. And reproducing it.
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